Muto silence
I used to wield a pen like a deadly weapon, and with it
writing to vent anger and resentment
of pain on a piece of paper.
Fors'Egli
me punished for the ardor of my silent voice.
I can not explain otherwise
because the heart has exhausted all the words!
Melancholy, once
made me invincible. His company
devastating
filled the void of magic;
seized it with a
pen to transform it into thoughts
and not risk losing it ...
Now I know the immense loneliness.
E 'mute silence.
Clear the air where I left my complaint
free.
hands, cold, swinging in the air, clutching a weapon
powerless.
mouth, dry,
opens without a sound. I lived through
only fragments of a soul
printed in black and white over time. Now we have only
nothing more bleak.
The Muse does not speak.
My World is off.
(c) Eleanor Grana, 2009
Thursday, April 30, 2009
Saturday, April 11, 2009
How Long Does It Take For Ringworm
Men only (unpublished)
Sometimes they are not words.
hands are empty,
outstretched in the air, hungry,
anxiously waiting to be filled with inspiration that allows
to free themselves, and to impart the
soul forever
eagerly filling a canvas, or a piece of paper.
In those moments of gloomy silence,
when all that remains is a silent cry inside, then we cease to believe
to be poets, artists, or writers.
And there are only single men.
fingers, crushed,
grab anything.
Sometimes they are not words.
The mind loses its power and remains only
pain,
without possibility of release.
(c) Eleanor Grana, 2009
Sometimes they are not words.
hands are empty,
outstretched in the air, hungry,
anxiously waiting to be filled with inspiration that allows
to free themselves, and to impart the
soul forever
eagerly filling a canvas, or a piece of paper.
In those moments of gloomy silence,
when all that remains is a silent cry inside, then we cease to believe
to be poets, artists, or writers.
And there are only single men.
fingers, crushed,
grab anything.
Sometimes they are not words.
The mind loses its power and remains only
pain,
without possibility of release.
(c) Eleanor Grana, 2009
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