Tuesday, February 22, 2011
Monday, February 7, 2011
Saturday, January 8, 2011
Friday, January 7, 2011
Rollover Non-qualified Annuity To Ira
Lucio Barbuio
Barbuio Lucio,
graphic designer, born in Latisana 1981. He attended the Technical College to address electronic technician but dreams of doing the advertising. After the first collaborations, the turning point came with the transfer to Milan where he follows the course of visual communication of Bauer and Susanna knows Vallebona Esseblu of the study, which urges him to continue the work of art. Back in Friuli and works in advertising. In 2006 he invented the
trademark Luciusenfabula "which allows him to express their creativity in the design and manufacture of materials such as plexiglass, polystyrene, paper and recently ceramics. He expresses himself improvising lines, contours, shapes without preconceived idea and his watchful eye discovers stories, correspondence and references that hides the graphic composition with its rhythm. He loves to experiment with techniques and materials, its signs it spread wherever it happens: chairs, hats, surfboards, pieces of plexiglass. Barbuio is appreciated in exposing some of the exhibitions at the local level in Italy and Milan with the first solo. Participate in the international competition where Webcolour 2004 were among the finalists. And 'one of the 35 designers who exhibited at the ICFF in New York in May 2008.
In 2009 he decided to expand his knowledge and quits his job to join the faculty of Industrial Design IUAV University of Venice. Here he began to cultivate a passion for photography, the first hobby, now an act of communication. In any effort to collect photos particular, to capture moments that communicate thoughts. Affected by this human side tries to give strength to his portraits and real feelings are fleeting.
trademark Luciusenfabula "which allows him to express their creativity in the design and manufacture of materials such as plexiglass, polystyrene, paper and recently ceramics. He expresses himself improvising lines, contours, shapes without preconceived idea and his watchful eye discovers stories, correspondence and references that hides the graphic composition with its rhythm. He loves to experiment with techniques and materials, its signs it spread wherever it happens: chairs, hats, surfboards, pieces of plexiglass. Barbuio is appreciated in exposing some of the exhibitions at the local level in Italy and Milan with the first solo. Participate in the international competition where Webcolour 2004 were among the finalists. And 'one of the 35 designers who exhibited at the ICFF in New York in May 2008.
In 2009 he decided to expand his knowledge and quits his job to join the faculty of Industrial Design IUAV University of Venice. Here he began to cultivate a passion for photography, the first hobby, now an act of communication. In any effort to collect photos particular, to capture moments that communicate thoughts. Affected by this human side tries to give strength to his portraits and real feelings are fleeting.
Wednesday, January 5, 2011
Sunday, January 2, 2011
Who Do You Choose For Your New Queen/king?
Fausto Delle Chiaie
ART? RUBBISH!
(Achille Bonito Oliva - ed. Electa)
(Achille Bonito Oliva - ed. Electa)
.... Of Chiaie acts with a phenomenological attitude, why the world is the world of life and art is art total. Of Chiaie
For each space has become a possible place of the artistic event, as indeed was the case for many players in the Situationist, Fluxus and Gutai. Outdoors or indoors
Of Chiaie acted through the use of materials and languages, from different areas, combining tools and instruments, among them the most diverse.
This interdisciplinary approach and its exercise in alternative spaces allow us to place the artist in an ideal Roman tribes of the art research that has developed over many decades in advance, from conceptual behavior.
course, the Fluxus group is not the only language before, why would return Chiaie of a limited scope and aesthetic, from which he tried to exit through the connection of artists related to each other for position but not for poetry to life. Of
Chiaie has mainly worked to unearth the world's energy, physical and mental. For this he is a lonely creator that allows us only to place it in a family of artists who are not related to each other, because his work is set in a continuous situation.
A view of time, filtered and slowed down the lens from the assumption of Zen, allows any object and any act of crossing the threshold of art. Of Chiaie
With the object is taken in its a-feature, in its appearance phenomenal, even if the gesture is made is made to destroy the object. The destruction of the object is contrary to the traditional idea of \u200b\u200bart that tends to make it functional through its storage and its use, the sound. But the sound can also mean the noise produced by repeated blows of the artist who rips the object or pellets around a microphone, a sheet of paper.
The sound of the codes are not only music, but also the noise of life so that it becomes music. The distance between art and life is very thin, it depends only on the linguistic consciousness of the artist who performs the gesture. Perhaps
Of Chiaie tents, through art, architecture, social, understood as dynamic learning process that comes in every circumstance of life and social organization.
....... Art for Chiaia and a way of knowledge and a constant awareness of the multiple levels of living, a kind of permanent revolution, which is not s'attesta never budge from their position and their own achievements . But instead uses its own act, not to limit the presence and intervention, but not to expand and expand in the acquisition of formal rules and new languages, but to produce an art that is real only when it produces patterns of behavior than alternative the system.
This model, proposed as a social contagion, is certainly a use of freedom, a freedom released. Of Chiaie chose for this exhibition as the open air theater of the Ara Pacis.
Art is not an end but a means of massaging the muscle atrophy of the community, the hole skins sensitivity of society and the collective imagination, even in public. The art is rubbish, rubbish all'inciampo useful to humanity devastated by electronic means. Fausto
Chiaia and a special envoy to the reality of life that runs to the rescue. Even our own.
For each space has become a possible place of the artistic event, as indeed was the case for many players in the Situationist, Fluxus and Gutai. Outdoors or indoors
Of Chiaie acted through the use of materials and languages, from different areas, combining tools and instruments, among them the most diverse.
This interdisciplinary approach and its exercise in alternative spaces allow us to place the artist in an ideal Roman tribes of the art research that has developed over many decades in advance, from conceptual behavior.
course, the Fluxus group is not the only language before, why would return Chiaie of a limited scope and aesthetic, from which he tried to exit through the connection of artists related to each other for position but not for poetry to life. Of
Chiaie has mainly worked to unearth the world's energy, physical and mental. For this he is a lonely creator that allows us only to place it in a family of artists who are not related to each other, because his work is set in a continuous situation.
A view of time, filtered and slowed down the lens from the assumption of Zen, allows any object and any act of crossing the threshold of art. Of Chiaie
With the object is taken in its a-feature, in its appearance phenomenal, even if the gesture is made is made to destroy the object. The destruction of the object is contrary to the traditional idea of \u200b\u200bart that tends to make it functional through its storage and its use, the sound. But the sound can also mean the noise produced by repeated blows of the artist who rips the object or pellets around a microphone, a sheet of paper.
The sound of the codes are not only music, but also the noise of life so that it becomes music. The distance between art and life is very thin, it depends only on the linguistic consciousness of the artist who performs the gesture. Perhaps
Of Chiaie tents, through art, architecture, social, understood as dynamic learning process that comes in every circumstance of life and social organization.
....... Art for Chiaia and a way of knowledge and a constant awareness of the multiple levels of living, a kind of permanent revolution, which is not s'attesta never budge from their position and their own achievements . But instead uses its own act, not to limit the presence and intervention, but not to expand and expand in the acquisition of formal rules and new languages, but to produce an art that is real only when it produces patterns of behavior than alternative the system.
This model, proposed as a social contagion, is certainly a use of freedom, a freedom released. Of Chiaie chose for this exhibition as the open air theater of the Ara Pacis.
Art is not an end but a means of massaging the muscle atrophy of the community, the hole skins sensitivity of society and the collective imagination, even in public. The art is rubbish, rubbish all'inciampo useful to humanity devastated by electronic means. Fausto
Chiaia and a special envoy to the reality of life that runs to the rescue. Even our own.
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