ART? RUBBISH!
(Achille Bonito Oliva - ed. Electa)
(Achille Bonito Oliva - ed. Electa)
.... Of Chiaie acts with a phenomenological attitude, why the world is the world of life and art is art total. Of Chiaie
For each space has become a possible place of the artistic event, as indeed was the case for many players in the Situationist, Fluxus and Gutai. Outdoors or indoors
Of Chiaie acted through the use of materials and languages, from different areas, combining tools and instruments, among them the most diverse.
This interdisciplinary approach and its exercise in alternative spaces allow us to place the artist in an ideal Roman tribes of the art research that has developed over many decades in advance, from conceptual behavior.
course, the Fluxus group is not the only language before, why would return Chiaie of a limited scope and aesthetic, from which he tried to exit through the connection of artists related to each other for position but not for poetry to life. Of
Chiaie has mainly worked to unearth the world's energy, physical and mental. For this he is a lonely creator that allows us only to place it in a family of artists who are not related to each other, because his work is set in a continuous situation.
A view of time, filtered and slowed down the lens from the assumption of Zen, allows any object and any act of crossing the threshold of art. Of Chiaie
With the object is taken in its a-feature, in its appearance phenomenal, even if the gesture is made is made to destroy the object. The destruction of the object is contrary to the traditional idea of \u200b\u200bart that tends to make it functional through its storage and its use, the sound. But the sound can also mean the noise produced by repeated blows of the artist who rips the object or pellets around a microphone, a sheet of paper.
The sound of the codes are not only music, but also the noise of life so that it becomes music. The distance between art and life is very thin, it depends only on the linguistic consciousness of the artist who performs the gesture. Perhaps
Of Chiaie tents, through art, architecture, social, understood as dynamic learning process that comes in every circumstance of life and social organization.
....... Art for Chiaia and a way of knowledge and a constant awareness of the multiple levels of living, a kind of permanent revolution, which is not s'attesta never budge from their position and their own achievements . But instead uses its own act, not to limit the presence and intervention, but not to expand and expand in the acquisition of formal rules and new languages, but to produce an art that is real only when it produces patterns of behavior than alternative the system.
This model, proposed as a social contagion, is certainly a use of freedom, a freedom released. Of Chiaie chose for this exhibition as the open air theater of the Ara Pacis.
Art is not an end but a means of massaging the muscle atrophy of the community, the hole skins sensitivity of society and the collective imagination, even in public. The art is rubbish, rubbish all'inciampo useful to humanity devastated by electronic means. Fausto
Chiaia and a special envoy to the reality of life that runs to the rescue. Even our own.
For each space has become a possible place of the artistic event, as indeed was the case for many players in the Situationist, Fluxus and Gutai. Outdoors or indoors
Of Chiaie acted through the use of materials and languages, from different areas, combining tools and instruments, among them the most diverse.
This interdisciplinary approach and its exercise in alternative spaces allow us to place the artist in an ideal Roman tribes of the art research that has developed over many decades in advance, from conceptual behavior.
course, the Fluxus group is not the only language before, why would return Chiaie of a limited scope and aesthetic, from which he tried to exit through the connection of artists related to each other for position but not for poetry to life. Of
Chiaie has mainly worked to unearth the world's energy, physical and mental. For this he is a lonely creator that allows us only to place it in a family of artists who are not related to each other, because his work is set in a continuous situation.
A view of time, filtered and slowed down the lens from the assumption of Zen, allows any object and any act of crossing the threshold of art. Of Chiaie
With the object is taken in its a-feature, in its appearance phenomenal, even if the gesture is made is made to destroy the object. The destruction of the object is contrary to the traditional idea of \u200b\u200bart that tends to make it functional through its storage and its use, the sound. But the sound can also mean the noise produced by repeated blows of the artist who rips the object or pellets around a microphone, a sheet of paper.
The sound of the codes are not only music, but also the noise of life so that it becomes music. The distance between art and life is very thin, it depends only on the linguistic consciousness of the artist who performs the gesture. Perhaps
Of Chiaie tents, through art, architecture, social, understood as dynamic learning process that comes in every circumstance of life and social organization.
....... Art for Chiaia and a way of knowledge and a constant awareness of the multiple levels of living, a kind of permanent revolution, which is not s'attesta never budge from their position and their own achievements . But instead uses its own act, not to limit the presence and intervention, but not to expand and expand in the acquisition of formal rules and new languages, but to produce an art that is real only when it produces patterns of behavior than alternative the system.
This model, proposed as a social contagion, is certainly a use of freedom, a freedom released. Of Chiaie chose for this exhibition as the open air theater of the Ara Pacis.
Art is not an end but a means of massaging the muscle atrophy of the community, the hole skins sensitivity of society and the collective imagination, even in public. The art is rubbish, rubbish all'inciampo useful to humanity devastated by electronic means. Fausto
Chiaia and a special envoy to the reality of life that runs to the rescue. Even our own.
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